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Showing posts with label Japanese. Show all posts
Showing posts with label Japanese. Show all posts

Tuesday, August 14, 2012

The History of Japanese Anime

In 1854, with the opening of Japan to foreign trade, the technologies developed in the West were introduced to and quickly adopted by many in Japan. That ushers in the era of Japanese animation in 1914 with the earliest anime being first screened in 1917 with a two minute clip of a folk tale and comedy about a samurai warrior.

By the 1930s, the anime industry has gained a significant amount of interest in Japan. Unfortunately, the local Japanese animators had to deal with a lot of competition, both from foreign and local animators. As a result, Japanese animators were forced to work cheaply and therefore, they opted for the animation technique called cutout animation, instead of the more expensive cel animation. However, with cutout animation, Japanese animators such as Yasuji Murata were still able to create wonders. Later on, animators such as Masaoka and Mitsuyo Seo improved the Japanese animation industry, among others, by using cel animation and by introducing sound.

In 1933, Masaoka has produced the first talkie anime called "Chikara to Onna no Yo no Naka". This was succeeded in 1945 by Seo's direction of "Momotaro's Devine Sea Warriors", which was the first anime film with feature length. The achievement of these Japanese animators was even more commendable because it was difficult to survive commercially. They also had to rely heavily on the support of government, which entails an obligation to include educational and militaristic propaganda. Besides, Japanese animation was greatly influenced by the success of the 1937 feature film by the Walt Disney Company, called "Snow White and the Seven Dwarfs". For instance, Osamu Tezuka started to mimic American style cartoons to reduce costs and limit the number of frames in production and with that created the popular graphic novel known as "Shintakarajima" in 1947.

In the 1970s, the Japanese film market shrunk due to the increased competition from television which eventually led to the bankruptcy of Mushi Productions. However, the work of Osamu Tezuka was able to survive this competition. In fact, his work was so impressive that he was often credited as the "god of manga". His distinctive "large eyes" style in animation still remains as one of the fundamental elements of anime today. During this difficult era, a genre known as Mecha has also been introduced whose animation films include "Mazinger Z" (1972-74), "Science Ninja Team Gatchaman" (1972-74), "Space Battleship Yamato" (1974-75) and "Mobile Suit Gundam" (1979-80).

Other notable milestones for the Japanese animation industry include the release of "Akira" in the 1980s that has found huge success in both the Japanese and foreign market, and the boom in production in the 1990s due to the release of "Ghost in the Shell". Furthermore, in 2008, Doraemon has been officially appointed as the first Anime Ambassador by Japanese government in order to promote anime worldwide. All these led to the success of the animation industry of Japan that we know today.

For more information, please visit http://www.anixekai.com/ for our Anime Website and http://www.anixekai.com/forum for our Anime Forum.


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The Iyashi Genre - A Genre Unique To Japanese Animation Which Helps You Relax

Iyashi is a special genre only found within anime (Japanese animation). The word Iyashi means "soothing" or "healing". The Iyashi genre feature anime series that enable the viewer to feel more relaxed and positive. The main traits that distinguish the Iyashi genre from other anime genres are:

A quiet and slow music score: The music of Iyashi anime helps the viewer become more relaxed.
A positive view on society and human interaction: Characters in Iyashi series tend to be optimistic and carefree. Their light, yet charming, conversations have the tendency to make the viewer feel better and more confident.
A sheltered environment: All Iyashi series occur in a sheltered environment, where characters are free from harm or danger. This makes their carefree life more believable and also allows the viewer to immerse himself/herself in the series' world.
A focus on aesthetics: Iyashi series focus on the beauty and aesthetics of things. For example, an episode might focus exclusively on traveling at sea or exploring a traditional city. The focus on aesthetics enables the viewer to appreciate his/her surroundings more and makes his/her viewing experience more refined.

The first Iyashi series is called Aria the Animation and was broadcasted in Japan during late 2005. It tells the story of Mizunashi Akari - a woman who wished to become an undine (gondolier) and trains daily in the waters surrounding the city of Neo Venezia (a futuristic copy of Venezia created on Mars). The anime was based on a manga called Aria and expended upon it greatly. The qualities of Iyashi are present in the series' invigorating background music, Akari's optimistic personality, the sheltered environment that is Neo Venezia and the miniature details Akari learns about the city in order to become a better undine.

Other series in the Iyashi genre include Bartender, Sketchbook: Full Color`s and Tamayura.

Bartender follows a bartender who attends the many requests of his patrons. The series uses the relaxed atmosphere of the bar to slow the passage of time while the bartender himself is a warm and intelligent figure. Bartender uses the romantic qualities that surround famous liquors to both impress and educate the viewer.

Sketchbook: Full Color's follows a high school student named Kajiwara Sora. Sora suffers from a mild case of autism and as a result sees the world in a much more peaceful and stationary way than others. Sora is a member of the art club and the series makes extensive use of nature paintings.

Tamayura follows a high school girl named Sawatari Fuu. Fuu wants to become a photographer and spends her days trying to catch the natural beauty of both nature and the human spirit.

Albeit still being rare Iyashi series are very distinct. As the above examples show Iyashi series incorporate within them prominent aspects of the Japanese culture such as the Japanese respect for nature and appreciation of aesthetic qualities.

Nadav Rotchild has a master's degree in East Asian Studies and has lived in Japan for a year. He is the founder of Anime Reviews - a website dedicated to the coverage of Japanese popular culture mediums such as anime, manga and Japanese figures.


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Monday, August 13, 2012

Japanese Anime Voice Actor - Norio Wakamoto

Ever wonder who is the person behind the voice of the anime characters that you have been watching? Most of them does not even sound life like at all. It was as though we were living in a word of fantasy because in real life, none of us talk in this manner.

Voice acting is another form of art and not as easy as it seemed and these voice actors deserve much more credibility out of Japan.

Have you ever watched an anime, and upon hearing a particular character speak, suddenly feel 10,000 times manlier after hearing him say just a few sentences? Chances are likely that you have been graced with the vocal presence of perhaps one of the most 'macho' of seiyuu (voice actor in Japanese) currently in the industry - Norio Wakamoto!

Born in Yamaguchi and raised in Osaka, Wakamoto initially started working as a riot police officer for the Tokyo Metropolitan Police Department before becoming a seiyuu. Judging from his massive list of voice credits to his name, it's safe to bet that there's no turning back for him for now!

Easily recognised for his voice that is loud, brash and rugged and yet, noble and smooth at the same time, it's no wonder that Wakamoto has been picked for a variety of different roles for both video games and anime. While having voiced quirky characters like Onsokumaru from Ninnin Ga Shinobuden and Chiyo-chichi from Azumanga Daioh, Wakamoto's main appeal is easily his portfolio of big baddies such as Cell from the Dragonball series, Dracula from the Castlevania series, and more recently, Vega/M.Bison from Street Fighter 4!

Despite the wide variety of personalities that he's adopted, what's undeniable is the very old-school, noble tone Wakamoto's voice has in every performance. Somehow managing to sound refined and proper, yet insanely enthusiastic and gung-ho at the same time lends each and every character he does a certain 'samurai'-esque flavour to their personality. Extremely appropriate for a man who has actually voiced a samurai, Oda Nobunaga from Sengoku Basara, and has a 3-dan in Kendo!

Able to be comical and quirky, yet dramatic and imposing, all with the same, instantly recognisable voice, it's no wonder that Wakamoto's become very popular with the anime fandom! Where will he show up again? We can only guess, but one thing's for certain - it might be where we least expect it!

Posted by Akiko Kondou from http://www.anibee.tv/, your source for anime, J-culture related news.


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